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General Admission tickets guarantee entry into the venue but do not guarantee a seat. All tickets are non-refundable and non-transferable. We ONLY accept tickets purchased through Ticketweb. Seating and venue layout vary by show. Handicap accommodations are available, please contact the venue in advance. You do not need to present the credit card used for purchase. You will just need to provide the name the tickets were purchased under to enter, your party does not need to arrive at the same time, each guest can enter under the name the tickets were purchased under.
And Your Song is Like a Circle, the second album from New York-basedartist Skullcrusher, a.k.a. Helen Ballentine, winds its way into an everchanging, unstablecore. Recorded piecemeal over a period of years following the release of her celebrated2022 debut, Quiet the Room, And Your Song is Like a Circle does not capture experience it gestures toward the imprint of an experience that is uncapturable. Swaying between vaporous folk and crystalline electronics, landing somewhere in the snowfields shared by Grouper and Julia Holter, Circle probes the ways that grief turns itself inside out. Loss itself becomes as real and substantial as whats been lost.Ballentine began writing Circle after leaving Los Angeles, a city shed called home fornearly a decade. She ended up returning upstate to New Yorks Hudson Valley, where she was born and raised. Several years of intense isolation followed, and Ballentine immersed herself in films, books, and art that reflected the rupture of relocating cross-country and its dissociative aftershocks.Throughout the record, the line between human and machine blurs. On Maelstrom,voices crash between echoing drumbeats like water through a cavern. The vocal filigrees on Exhale fan out into a haze of synthesizers and strings. Dragon lets piano echo over tight, gritted percussion.If Skullcrushers first album rendered the detailed intimacies of domesticspace, Circle finds itself vaporized across the landscape: swirling, drifting, searching. Itskirts an event horizon in long, slow strokes. These are songs that vibrate with the fervency of an attempt to capture a moment, to draw a circle around it. I like thinking about my work as a collection, Ballentine says. Eventually it might form a circle. Each time I make something, Im putting another line around the body of work. It feels like Ill be trying to trace it for my whole life.
- Located at venue entrance
- ID required for pickup
- Tickets available 1 hour before show time
- Digital and physical ticket options
- Street parking available
- Nearby public parking lots
- Some metered spaces around venue
- Rideshare recommended during busy events
- ADA compliant spaces
- Wheelchair accessible areas near stage
- Companion seating available
- Call venue in advance for specific accommodations
- 21+ for most shows
- No outside food or drinks
- No large bags
- Valid photo ID required
- Respectful behavior expected
- Most shows are 21+
- Some all-ages shows permitted
- Minors must be accompanied by legal guardian
- Age restrictions vary by specific event
